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DRKSTAR

Welcome to StoryModding, a revolutionary approach to filmmaking under the guidance of acclaimed director Brett Leonard. In this bold cinematic experiment, you, the audience, have the power to shape the narrative. Contribute shots, propose twists, and take the film in uncharted directions.

With StoryModding, you're not just watching the story – you're helping create it. Join us in redefining the future of storytelling.
DRKSTAR DRKSTAR
DRKSTAR DRKSTAR

About

We are a team of seasoned graphics professionals and filmmakers who are excited to launch a new way of making movies.
Our vision is to create a decentralized filmmaking process where creative direction and profit share are shared by all contributors.
We believe that VFX-heavy and animated movies can now be made by small teams of VFX artists. These artists, who typically get involved at the end of the production process, can be much more efficient when they co-develop the IP from the beginning.
By using modern real-time tools assisted by AI, we can optimize the workflow and make it possible for smaller teams or even individuals to create high-quality VFX. DRKSTAR is a concept project as we explore this new realm. We welcome anyone with an interest in VFX, animation and filmmaking to be part of this.
We provide all the assets and the UE5-based real-time software Replikant to get you started.
Together, we can create a new era of filmmaking that is more collaborative, efficient, and accessible.

Synopsis

Troy is a young man who is having recurring nightmares about being attacked by machines. He soon discovers that these nightmares are actually visions of a parallel world called the Metaverse, where he is a warrior fighting against the Fallen, a race of machines that are trying to take over the world.

With the help of Gabriella, a mysterious woman who is also fighting against the Fallen, Troy must learn to master his new abilities in order to save the Metaverse and the real world from the Fallen's wrath.

The film is a mix of action, science fiction, and fantasy, and it explores themes of good vs. evil, light vs. dark, and the power of the human spirit.

It is a story that will stay with you long after you have seen it and will evolve over time as the future strands are developed.

Troy

Meet Troy, the protagonist of the short film "DRKSTAR". Troy is a young man who finds himself thrust into a virtual reality world where he must fight off robotic creatures known as "The Fallen" with the help of a mysterious, sword-wielding woman named Gabriella. Troy is a skilled fighter, utilizing Kali Escrima style techniques to evade and defeat his enemies. However, his battle for survival in the virtual realm is just the beginning of his journey.

As the story unfolds, Troy is ultimately guided by higher powers that show him that our solar system that's controlled by AI. Troy and Gabriella, they must fight off the machine takeover of earth.

But the question remains, are humans too far entwined with computer technology to be entirely free of the AI? Troy and Gabriella must work together to uncover the truth and save humanity from a fate controlled by technology.

The Fallen

The Fallen are a race of malevolent beings that are the central antagonists of the short film. They are the opposite of what humanity strives for, embodying evil, darkness, and a partial machine-like nature. The Fallen are responsible for the machine takeover of Earth and the destruction they have caused in their wake.

These creatures are relentless in their pursuit of power and domination over humanity, they are the embodiment of the negative consequences of technology and the dangers of becoming too entwined with machines. Their presence in the film serves as a warning to the characters, and to the audience, of the dangers of losing control over technology. The question remains: are humans too far entwined with computer technology to be entirely free of the AI? The Fallen's actions and their ultimate fate in the film will leave the audience questioning the nature of technology, the consequences of its misuse and the potential for humanity to overcome it.

Gabriella

Meet Gabriella, the powerful and mysterious ally of Troy in the short film "DRKSTAR". Gabriella is Troy's girlfriend, a creature of light who has already fully transcended the astral planes. She is the one who guides Troy on his final journey in the virtual realm, wielding a fiery sword that she uses to defeat the robotic creatures known as "The Fallen". Gabriella is majestic, friendly, and fully aware, the embodiment of pure energy and grace.

She represents the opposite of the machines and their cold, mechanical nature. Gabriella's presence in the film is not only a source of strength for Troy, but also a reminder of the power of the human spirit and the potential for transcendence. Gabriella's abilities and background remain a mystery, but one thing is clear: she is a force to be reckoned with and a powerful ally in the battle against the machines.

Technician

Dr. Viktor Krieg is a brilliant but controversial technician who is at the forefront of cutting-edge research in the field of consciousness and alternate dimensions. He holds multiple degrees in physics, neuroscience, and artificial intelligence from some of the most prestigious universities in the world.

Dr. Krieg has made a name for himself by conducting groundbreaking experiments on human consciousness, often pushing the boundaries of ethical research. He has been accused of using questionable methods to achieve his results and has been the subject of numerous investigations. Despite the controversy, Dr. Krieg is highly respected in his field and has been invited to speak at conferences and symposiums around the world. However, Dr. Krieg's ultimate goal is to use his research to gain power and control, he will stop at nothing to achieve his goal, even if it means experimenting on a human subject, Troy
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The Fallen

The Fallen are a race of malevolent beings that are the central antagonists of the short film. They are the opposite of what humanity strives for, embodying evil, darkness, and a partial machine-like nature.
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THE CHARACTER

The Fallen are a race of beings that are the opposite of what we strive for. Theyare evil, dark, and partial machine-like creatures. The machine takeover of Earth istheir doing, and they have caused much destruction in their wake. However, thequestion remains: are humans too far entwined with computer technology to beentirely free of the AI?

Meet The Team

BRETT LEONARD

Director
Brett Leonard is a highly accomplished filmmaker and futurist with over 25 years of experience in the entertainment industry. He is recognized as a pioneering figure in the development and utilization of new media technologies. He is widely acknowledged as a leading expert in virtual reality (VR) having introduced the concept to popular culture through his seminal film LAWNMOWER MAN. He is a sought-after speaker in the rapidly growing VR and augmented reality (AR) industry.

Mr. Leonard's extensive career includes directing the IMAX 3D film, THE MAGIC BOX, which starred Anthony Hopkins, and creating techniques that led to the innovations of 3D films like AVATAR. He also directed Peter Gabriel's "Kiss That Frog," the first HD all-CGI music video/ride film that toured the world as a popular theme park attraction and won him an MTV Music Video Award. Additionally, he has a keen eye for talent and gave Russell Crowe his first lead role in a Hollywood studio film, VIRTUOSITY, starring Denzel Washington. He also created a state-of-the-art "interactive show" starring Danny DeVito for CAA/Intel Media Lab, which was designed to introduce Hollywood A-listers to the future of entertainment.

Mr. Leonard has been one of the first in the industry to envision the potential of platforms like YouTube, Facebook, and VR/AR in the 21st century. He will always be linked to the concepts of virtual and augmented reality through the prescience and vision he has displayed throughout his career.

CHRIS STONE

Writer
Chris Stone is a well-established filmmaker and television host with a diverse range of experience in the entertainment industry. He grew up in the film world, having acted in various films directed by his father Oliver Stone, including THE DOORS, JFK, NATURAL BORN KILLERS, WALL STREET: MONEY NEVER SLEEPS and SAVAGES. He made his directorial debut with the documentary-style psychological horror film GREYSTONE PARK (2012), which won the award for Best Film at the LA Horror Fest 2012.

He began his filmmaking career by working on his father's documentaries on Fidel Castro and the Israel-Palestine conflict. He wrote and directed his first fictional short, SINGULARITY, in 2008, a science-fiction story set in a near-future society where three friends struggle with the implications of living in a fascist society that abducts and executes people who are suspected of carrying a mysterious plague.

In addition to his work in film, Mr. Stone has also made significant contributions to television. He co-hosted the third-season of the popular TV series 'Conspiracy Theory with Jesse Ventura' (2012) and is currently the co-host of the RT (Russia T.V.) news show ‘Watching the Hawks’, which airs internationally. He also hosted three-seasons of the interview program ‘Buzzsaw’ on Gaia, shows that investigate the real world’s ‘X-Files’, taking an unflinching look at the esoteric and hidden agendas behind world politics, popular culture and news events.

Mr. Stone is a graduate of Princeton University and had the opportunity to work with organizations such as Save the Children in Somalia and Unity-One for Jim Brown's Amer-I-Can group in Los Angeles while attending.

ADAM PAULSEN

Executive Producer
Adam Paulsen most recently served as EVP-Head of Film at Annapurna Pictures where he Executive Produced Marielle Heller’s upcoming film NIGHTBITCH for Searchlight Pictures. He joined in an acquisition-hire of Valparaiso Pictures that he negotiated as Managing Partner. There he Produced the Nicolas Cage vehicle PIG, named by IndieWire as one of ‘The Best American Independent Films of the 21st Century,’ the Sundance award-winning film ON THE COUNT OF THREE, Executive Produced the Sundance documentary GLITCH IN THE MATRIX, the animated TV show WILD LIFE, and more. Before Valparaiso, Paulsen was a founding member and Vice President of Film at 30WEST. There he also oversaw their Advisory Business, working with companies like AGBO and NEON, and helped acquire Margot Robbie’s I TONYA. Prior to that he spent nearly five years at CAA where he worked as an Agent in the Media Finance Group, representing many of the most successful financiers and production companies in independent film, including Robbie’s LuckyChap Entertainment, and packaged, financed, and sold numerous films. His next film is a currently ‘under wraps’ project with A24, and next TV show is Co-Created and starring Kumail Nanjiani for T-Street/MRC.

IAN FAILES

Publisher
Ian has written for other visual and effects and online magazines, including fxguide, Cartoon Brew, VFX Voice, 3D Artist, 3D World, Thrillist, Syfy, Inverse, Digital Arts, MovieMaker, Empire Magazine Australia, Develop, Rolling Stone and Polygon.Ian co-hosts the VFX Notes visual podcast with Hugo Guerra from Hugo’s Desk.He’s also a regular at conferences such as FMX, SIGGRAPH, SIGGRAPH Asia, VIEW, Annecy, Trojan Horse Was a Unicorn and SPARKFX, where he often conducts on-stage Q&As. Ian’s first book, Masters of FX, was published by Ilex and Focal Press in August 2015. This full-color 192 page book features interviews with 16 of the world’s best visual effects supervisors and the films they’ve worked on.Iam runs befores & afters is a brand-new visual effects and animation online magazine–and now print publication and podcast destination!–from visual effects and animation journalist Ian Failes.

LUC SCHURGERS

Creative Technologist
Luc is a highly accomplished creative technologist and modern storyteller, currently serving as the CTO of DNABLOCK, an immersive technology company he co-founded. DNABLOCK specializes in building a platform for creator storytelling through 3D animated content and real-time virtual worlds.

Luc has a strong educational background, having studied at Amsterdam's University of Applied Sciences and earning a Master's degree in Computer Science from the prestigious NCCA in the United Kingdom. He began his career in the London post-production and animation industry, and was later sponsored by filmmaker David Fincher to move to the United States.

It was there that he began to take advantage of the tremendous opportunities in storytelling for new mediums and modern audiences. Throughout his career, Luc has been the go-to creative for a wide range of interactive campaigns that allow viewers to engage and become a part of the story. He has founded several production companies with a focus on cutting-edge technology and has developed high-profile, award-winning campaigns for a variety of major clients, such as Intel, HBO, Sony PlayStation, CNN, Adidas, and Heineken.

ANDY WOOD

Facial Performance Expert
Andy Wood is a serial entrepreneur with a background in animation, games, music, and technology. He has founded or co-founded over 20 companies, including USD, Mirage, Actualize, Brereton Hall, Bar Cuba, U-Vibe Records, Image Metrics, Great Fridays, Hypergallery, WholeWorldBand, Cubic Motion, Factory Create, and Charisma. Wood has worked on a wide range of projects, including video games, feature films, music videos, and interactive experiences. He is a Fellow of the Tribeca Film Festival Disruptor Foundation and a Founder of WiSE Partners. In his spare time, Wood plays fretless bass and electric guitar in bands. He has also been the Master of Ceremonies for the Wychwood Music Festival. Here are some of Andy Wood's notable achievements: Founded USD, which marketed and sold over 50 Number 1 video games. Co-founded Mirage, which developed and published HR Giger's Darkseed, Humans, and the million selling Rise of the Robots. Appointed CEO of Image Metrics, which worked on many video games and feature films.Co-invented Gabble, the text to animation language with Peter Gabriel. Co-founded the multi-award winning interactive music and video App WholeWorldBand. Gave a TEDx Talk about Digital Humans. President, Chair, and shareholder of the world leading realtime facial animation company Cubic Motion until March 2020.Chair of Factory Create, the multi-discipline animation studio and intellectual property rights owner. Chair of Charisma, unique AI enabling immersive digital human character-driven experiences. Andy Wood is a visionary entrepreneur with a passion for using technology to create new and innovative experiences. He is a leading figure in the field of digital human animation, and his work has had a significant impact on the entertainment and technology industries.

METAMIKE

World Builder
MetaMike is a virtual world experience developer and has a passion for contributing to the education and enablement of the open metaverse. He prides himself on creating interactive events that 'stick' - ones which blend components of physical and digital while integrating web3 technologies. He keeps a pulse on all things metaverse related and is a renown tinkerer, testing and developing use cases for various new advancements in the field - be it AI, XR, motion capture, game development platforms or token deployment and interaction tools. In his past role at Gigantik, he focused on helping enterprise clients navigate this new landscape and drive brand loyalty through tokenized engagement models. Prior to web3, he helped develop holistic integrated marketing strategies for enterprise clients at GroupM.

TUNCAY SONMEZ

Blockchain Developer
Meet Tuncay, a highly experienced software developer and architect with over 20 years of experience in the industry. He currently works as a Blockchain and AI architect at DNABlock, an immersive tech company where he designs the architecture of blockchain apps and NFT projects.
His strong educational background has helped him excel in the field of software development and architecture, where he has honed his skills in cyber security as well.
With a passion for cutting-edge technology, Tuncay has also obtained certificates in Deep Learning and Augmented Reality, making him an expert in the field of immersive technology. His experience in software development, architecture, and cyber security, coupled with his knowledge of blockchain, AI, and immersive technology, make him a valuable asset to the DNABlock team.
As a blockchain and AI architect, Tuncay plays a key role in the development and implementation of innovative solutions for DNABlock's clients. His expertise in software development and architecture, as well as his understanding of cyber security, have helped him to design secure and reliable systems for the company.
Tuncay is always looking for new challenges and opportunities to grow in his field, and is excited to continue working at the forefront of technology with DNABLOCK.

2WEI

Music Composers
2WEI is an accomplished composer team, founded by Christian Vorländer and Simon Heeger in early 2016. The team operates out of their studios in Hamburg, Germany and Venice Beach, California. They have a proven track record of success, with their music being featured in a wide range of film trailers, including notable titles such as Wonder Woman, Tomb Raider, and Mortal Engines.

Christian Vorländer and Simon Heeger have a long-standing professional relationship, having known each other since their college years. Christian honed his skills working with industry leaders such as Hans Zimmer and Junkie XL in Los Angeles, while Simon gained valuable experience at prominent advertising music houses including Mophonics and Yessian. Upon Christian's return to Germany in late 2015, they joined forces to form 2WEI, leveraging their combined expertise in the advertising and film music industries. Since its formation, 2WEI has achieved significant success, licensing their tracks for various high-profile Hollywood trailer campaigns and creating music for major brands such as Audi, BMW, Facebook, and Porsche.

Additionally, they have remixed iconic songs from notable artists such as LL Cool J, A$AP Ferg, and Zoe Wees, and composed music for game trailers such as League of Legends, Valorant, Call of Duty, Assassin's Creed, Need for Speed and many more.

EGOR TOMSKY

Game Designer
Egor is a highly accomplished animation professional, cinematics director and game designer. He has a wealth of experience in the industry, having worked as an animation and previs director on a number of feature films. In addition to his work in the film industry, Egor also teaches 3D animation and computer graphics at several design schools. His unique combination of technical skills and creative vision allows him to create high-tech, cutting-edge projects.

Egor is an early adopter of real-time technology. He has a wealth of experience in animation and quickly understood the benefits of real-time production. He is at the forefront of new developments in the field and has a deep understanding of the power and potential of real-time animation and is constantly pushing the boundaries of what is possible.

He is a master of motion capture and owns a state-of-the-art mocap studio equipped with the latest Vicon optical mocap stage. With his expertise in animation and real-time technology, Egor is a valuable asset to this team. Egor has served as an animation or previs director on films such as Abraham Lincoln: Vampire Hunter, Wanted, Apollo 18, Chronicle, and Sputnik.
With over a decade of experience working with the Unreal Engine, he has made the transition to fully fleshed-out game development, resulting in the successful launch of his first game, One Day More. As a studio founder, Egor is proud to have been able to tell this touching story through captivating gameplay to a global audience.

SHANNON LEONARD

Video Editor
Shannon Leonard is a Multi-disciplinary Video Editor and Creative Producer with 10+ years of experience in film/video production and digital marketing. Dedicated to creating compelling, innovative, and scalable high-quality media. He began his career in the film industry - on-set and in post-production - and has continued to pursue his passion for visual storytelling. He runs a podcast with his father Brettt called "What the F*** is the Metaverse?" You can listen on the major podcast platforms or on this site. Shannon will manage and run the content produced for DRKSTAR.

Advisor

JOSH SHORE

JOSH SHORE is an award-winning Transmedia Producer, Community Founder, and Brand/Media Strategist with over 20 years creating Film/TV/Web content and niche social platforms. Best known for his groundbreaking alt. news-based social network,GNN, which redefined youth-oriented news for the digital age, he is a sought after thought leader in transmedia and community activation.

Mr. Shore has created TV shows, written screenplays, produced documentaries, directed music videos, architecteddigital campaigns, founded social networks, advised startups, and presented his ideas at conferences...

SCOTT ROSS

SCOTT ROSS is one of the most notable pioneers in digital media, technology and entertainment, having founded, along with James Cameron, Digital Domain, one of the largest digital production studios in the motion picture and advertising industries.Under Mr. Ross’ direction, Digital Domain garnered multiple Academy Award nominations, receiving its first Oscar for the groundbreaking visual effects in TITANIC.

A second Oscar was earned for WHAT DREAMS MAY COME and a third for THECURIOUS CASE OF BENJAMIN BUTTON followed. Digital Domain received additional nominations for TRUE...

JAMES DOWALIBY

JAMES DOWALIBY founded Paramount’s first international production unit, where he was responsible for a $100+ Million slate including 8 films, 4 drama series, 2 mini-series and 6 films for television, all developed, co-financed and co-produced by theunit. Film projects include 4 PBS Films brought to Paramount and 4 science fiction films.

In television, he brought Stephen King’s “Dead Zone” to Paramount along with “Messiah” by Boris Starling (BBC), “and “Largo”, the leading French/Belgian graphicnovel series for two decades (M6-France, Pro-7 Germany)...

EGOR TOMSKIY

WATT Studio founder, director, visioner.
Egor worked as animation and previs director at many movies. He also teaches 3d animation and computer graphics in HSE Design School and IIDC. With a mixture of technical skills and creative taste, he is able to create high-tech creative projects.
He directed several cut-scenes and short animation movies. Egor took part as animation or previsualisation director in such films as Abraham Lincoln: Vampire Hunter, Wanted, Apollo 18, Chronicle, Sputnik and others. One Day More is Egor`s first game, it will be released worldwide next year.

https://www.linkedin.com/in/egor-tomskiy-7a27a532/

About WATT Studio

WATT Studio was founded in 2018. They started working in Unreal Engine with producing fascinated previsualisation for movies and animations. After achieving a lot of great results the team continues to prove their expertise in more difficult technical tasks such as creating digital real-time characters.
The team always loved to tell stories. So in the beginning of 2020 they took a risk to go to the game industry to find new ways for storytelling and face new challenges.
Studio founder is proud to say that their first game project One Day More is finished and will be released soon. It's a touching story with captivating gameplay. The main heroine Hannah is trying to follow her dream.
The founder, visioner and heart of WATT is Egor Tomskiy. He worked as animation/previs director at many films, short animation movies and cut-scenes for games.

He was so inspired by opportunities of motion capture so he created his one high-tech mocap pavilion. It helps his team to solve all issues with animation, no matter what project it is - game, movie, animation. The team’s cumulative experience makes it possible to develop projects of the highest quality in the international market.

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We’re back! Today we discuss how the “Metaverse” buzzword lost it’s cool factor, Meta’s stock price crash and layoffs, the collapse of the second largest crypto exchange, and Elon Musk's recent acquisition of Twitter. Plus, we'll delve into the buzz surrounding generative AI and explore the potential of ChatGPT as the future of human-AI interaction.
This is an intergenerational podcast about all things "Metaverse" between a Hollywood film director and his 'VR early adopter' son.Brett Leonard is a veteran Hollywood film director known for im ...
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The End of The Metaverse / Beginning of The Metave...

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A variety of topics are discussed including “algospeak”, metaverse interoperability, creating a digital twin of the earth, LEGO’s new metaverse investments in collaboration with Epic Games, centralized vs decentralized moderation, new smart cities integrating the metaverse, how Apple may have an advantage over Mark Zuckerberg’s Meta, and more!Send us your questions on Twitter @directorleonard and @shannonleonard. Thanks for listening!Brett Leonard is a veteran Hollywood film director known for introducing the concept of Virtual Reality to popular culture ...
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A variety of topics are discussed including “algospeak”, metaverse interoperability, creating a digital twin of the earth, LEGO’s new metaverse investments in collaboration with Epic Games, centralized vs decentralized moderation, new smart cities integrating the metaverse, how Apple may have an advantage over Mark Zuckerberg’s Meta, and more!Send us your questions on Twitter @directorleonard and @shannonleonard. Thanks for listening!Brett Leonard is a veteran Hollywood film director known for introducing the concept of Virtual Reality to popular culture with ...
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On this episode, we discuss how the Oscars could be broadcasted from the metaverse, how the Oscars could utilize advanced AI technology and/or decentralized autonomous organizations, a mind reading tech startup recently acquired by Snap, the latest crypto theft, the development of environmentally friendly cryptocurrencies, and the implications of living forever in the metaverse!Send us your questions on Twitter @directorleonard and @shannonleonard. Thanks for listening! New podcast episodes every week...
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Disney has announced it is investing in the metaverse, believing it to be the next stage of its nearly 100-year-old storytelling tradition! J.P. Morgan claims that it’s the first bank in the metaverse! In addition to covering the latest metaverse news, father and son co-hosts debate the implications of young children using VR to enter the metaverse.Brett Leonard is a veteran Hollywood film director known for introducing the concept of Virtual Reality to popular culture with his hit film Lawnmower Man. Apart from directing many other feature fil...
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Peak Buzzword: YouTube's Metaverse Plans + Web3 ...

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Brett Leonard and his son Shannon discuss YouTube’s announcement of potential “Metaverse” features… and explain what that actually means! Also, father and son share their viewpoints on last week’s huge $450 million investment into Web3 “decentralized technology”.
Brett Leonard is a veteran Hollywood film director known for introducing the concept of Virtual Reality to popular culture with his hit film Lawnmower Man. Apart from directing many other feature films, he is involved with innovating immersive content production for the emerging virtual mediums of the Metaverse era. Shannon Leonard ...
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In the first episode of “What The F*** Is The Metaverse?” father and son discuss the motives of Mark Zuckerburg, Meta’s investment into virtual reality technology, and setup the show with some key questions and perspectives!
Brett Leonard is a veteran Hollywood film director known for introducing the concept of Virtual Reality to popular culture with his hit film Lawnmower Man. Apart from directing many other feature films, he is involved with innovating immersive content production for the emerging virtual mediums of the Metaverse era. Shannon Leonard...
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Tech Partners

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Virtual production for all, from indie creators to big studios.HTC VIVE is helping level the READ MORE
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Virtual production for all, from indie creators to big studios.HTC VIVE is helping level the READ MORE
Unreal Engine enables game developers and creators across industries to realize next-generation real-time 3D content READ MORE
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore READ MORE
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The Script

THE FIRST VERION OF THE FILM AS WRITTEN BY CHRIS
Discover a dynamic, ever-evolving narrative that transcends traditional filmmaking by embracing communal creativity. With the first strand written, animated, and mastered, the stage is set for it to grow and adapt into future versions. Through unique NFTs, you gain access to a DAO, enabling your active participation in shot submission and approval. Under the guidance of Brett Leonard – not as a towering director, but as a collaborative captain – this project steers towards a fresh horizon. Crafted with the passion and precision that VFX artists and animators dream of, this film embodies a new way we envision all films could be made. Join us in charting this exciting new course in cinematic artistry.
Animations
Behind The Scene

A Cinematic VR Adventure

The VR component of DRKSTAR is more than just a VR game. It's an immersive cinematic experience that will take you on a thrilling journey through a dark and dangerous world. The game picks up where the short film left off, with you as the hero who must defeat the menacing Fallen. Along the way, you'll explore semi-procedural locations, each with its own unique set of enemies. The difficulty of the game increases as you move forward, providing endless replayability and the opportunity to test your skills to the limit. With cyber weapons and new skills to collect on each platform, you can customize yourself and your enemies to make the game even more exciting. DARKSTAR is not just a game, it's an experience that will take you to the edge of your seat. The cinematic quality graphics and endless replayability make it an unforgettable journey that you'll want to take again and again.
New procedural locations every game session. New challenges, weapons and abilities!
Find answers about the Creator and the
Astral.
Compete with your friends in speed and
points!
Add weapon models to the game! Customize yourself and your enemies.

Gameplay: The Endless Battle

DRKSTAR VR is a challenging and addictive VR action game that will test your skills to the limit. Stand still and fight off waves of Fallen enemies, each more difficult than the last. As you progress, you'll unlock new weapons and skills to help you survive. But be careful, the Fallen are always evolving, and their skills will eventually surpass your own. The game is semi-procedural, so each playthrough is different. This means that you'll never know what to expect, and the challenge will always be fresh. Whether you're a VR veteran or a newcomer, DRKSTAR VR is sure to provide hours of endless entertainment.
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NFTs and the Utilities

Create
content

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Partake in Narrative

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Co-own the 3D character IP

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Partial film profit share

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Be part of
the making

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Production Notes

As we continue to work on the production of Darkstar, we'll be sharing regular updates on our progress in the form of production notes. These notes will provide an inside look at various aspects of the film's development, from special effects and production design to the challenges of working remotely.

In our first set of production notes, we'll be focusing on the development process and how we're using Replikant to work in real-time 3D. We'll also touch on how this real-time workflow is impacting our approach to special effects and how it's saving us a lot of time.

In future production notes, we'll delve deeper into other aspects of the production, such as the challenges of creating a believable world and designing the creatures that inhabit it. We'll also give a behind-the-scenes look at the costume and prop design, and the role of the production designer in shaping the overall aesthetic of the film.

We're excited to share these updates with you and give you a glimpse into the making of Darkstar. If you're interested in following the progress of the film, make sure to keep an eye out for our production notes. We'll be sharing them regularly on our website and social media channels.

Brett Leonard

Brett Leonard is an accomplished American film director, producer, and music video director with a specialization in science fiction and horror. He has established himself as a leading figure in the industry, known for his unique vision and storytelling abilities. In addition to his work in film, Brett also hosts a podcast called "What the F is the Metaverse," where he delves into the latest developments and trends in virtual reality, augmented reality, and other cutting-edge technologies.One of Brett's first films, The Lawnmower Man, is considered a groundbreaking work in the world of film. The movie, which was released in 1992, was one of the first significant films to feature virtual reality as a central theme. The film tells the story of a scientist who uses virtual reality to enhance the intelligence of a simple-minded gardener. The Lawnmower Man is considered a cautionary tale that explores the potential dangers of virtual reality long before it became a mainstream topic of conversation.In the years since its release, The Lawnmower Man has become a cult classic and is recognized as a pioneering work in the field of virtual reality. Brett's early exploration of this topic in his filmography is an indication of his forward-thinking mindset and his ability to anticipate the future. Brett Leonard continues to be a trailblazer in the world of film and his work continues to be an inspiration to many aspiring filmmakers and technologists.
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Brett Leonard

Brett Leonard is an accomplished American film director, producer, and music video director with a specialization in science fiction and horror. He has established himself as a leading figure in the industry, known for his unique vision and storytelling abilities. In addition to his work in film, Brett also hosts a podcast called "What the F is the Metaverse," where he delves into the latest developments and trends in virtual reality, augmented reality, and other cutting-edge technologies.

One of Brett's first films, The Lawnmower Man, is considered a groundbreaking work in the world of film. The movie, which was released in 1992, was one of the first significant films to feature virtual reality as a central theme. The film tells the story of a scientist who uses virtual reality to enhance the intelligence of a simple-minded gardener. The Lawnmower Man is considered a cautionary tale that explores the potential dangers of virtual reality long before it became a mainstream topic of conversation.

In the years since its release, The Lawnmower Man has become a cult classic and is recognized as a pioneering work in the field of virtual reality. Brett's early exploration of this topic in his filmography is an indication of his forward-thinking mindset and his ability to anticipate the future. Brett Leonard continues to be a trailblazer in the world of film and his work continues to be an inspiration to many aspiring filmmakers and technologists.

The Making of Darkstar: An Inside Look at the Special Effects and Production Design

Making a movie is a complex process that requires the collaboration of many talented individuals. From development to special effects to production design, each element plays an important role in bringing a film to life. In this blog post, we'll take a behind-the-scenes look at the special effects and production design of the upcoming sci-fi film Darkstar.Before starting on a feature-length film, it's common practice to first create a short film that acts as a test. This allows the team to experiment with different ideas and techniques, and to fine-tune their approach before committing to the full-length production. Darkstar was no exception, the team began with a short film that served as a test before they started on the feature. For the short film, everything was created in real-time 3D using Replikant, a content creation tool built on top of the Unreal Engine. This allowed the team to quickly iterate and make changes in real-time, giving them the flexibility to experiment with different ideas and techniques.The development process of Darkstar began with an idea to create a new take on the sci-fi genre that would subvert expectations and challenge conventions. Once the core concept was in place, the team began fleshing out the details of the story, the characters, and the world they would inhabit.
Read More

The Procress

Making a movie is a complex process that requires the collaboration of many talented individuals. From development to special effects to production design, each element plays an important role in bringing a film to life. In this blog post, we'll take a behind-the-scenes look at the special effects and production design of the upcoming sci-fi film Darkstar.

Before starting on a feature-length film, it's common practice to first create a short film that acts as a test. This allows the team to experiment with different ideas and techniques, and to fine-tune their approach before committing to the full-length production. Darkstar was no exception, the team began with a short film that served as a test before they started on the feature. For the short film, everything was created in real-time 3D using Replikant, a content creation tool built on top of the Unreal Engine. This allowed the team to quickly iterate and make changes in real-time, giving them the flexibility to experiment with different ideas and techniques.

The development process of Darkstar began with an idea to create a new take on the sci-fi genre that would subvert expectations and challenge conventions. Once the core concept was in place, the team began fleshing out the details of the story, the characters, and the world they would inhabit.

How Filmmakers are benefitting from Realtime Animation

Animation has been a staple in filmmaking for many years now. Its appeal lies in its ability to transport audiences to new and fantastical worlds that could never exist in reality. However, the animation process has always been atime-consuming and costly one—until now. Thanks to advances in technology, filmmakers can now create high-quality animations in real-time, and the possibilities are endless. Here's a look at how realtime animation is changing filmmaking for the betterlong before our present fascination with all things virtual production.
Read More

How Filmmakers are benefitting from Realtime Animation

Animation has been a staple in filmmaking for many years now. Its appeal lies in its ability to transport audiences to new and fantastical worlds that could never exist in reality. However, the animation process has always been atime-consuming and costly one—until now. Thanks to advances in technology, filmmakers can now create high-quality animations in real-time, and the possibilities are endless. Here's a look at how realtime animation is changing filmmaking for the betterlong before our present fascination with all things virtual production.
Label

What is Procedural Content?

Procedural content refers to any type of content that is automatically generated by a computer program instead of created by a human. This can include things like 3D models, text, and audio. One of the main advantages of using procedural content is that it can be easily modified or updated. For example, if you need to update a 3D model in a game, instead of manually editing the model, you can simply modify the parameters of the program that generated the model, which saves time and effort.Additionally, because it is generated by a computer program, it can produce an infinite variety of results by tweaking the parameters of the generation process. This is useful for things like generating terrain in video games and millions of different characters. Creating procedurally-generated music or generating realistic-sounding dialogue is also very useful.Another advantage of procedural content is that it can be created in large quantities quickly. This is useful for things like generating terrain in video games or generating realistic-sounding dialogue. This can save time, resources and effort. However procedural systems can take a long time to create. However the ability to create an infinite variety of results and it is useful for many applications. It's worth considering if you're looking for a way to quickly generate large quantities of high-quality content.
Read More

Procedural Content

Procedural content refers to any type of content that is automatically generated by a computer program instead of created by a human. This can include things like 3D models, text, and audio. One of the main advantages of using procedural content is that it can be easily modified or updated. For example, if you need to update a 3D model in a game, instead of manually editing the model, you can simply modify the parameters of the program that generated the model, which saves time and effort.

Additionally, because it is generated by a computer program, it can produce an infinite variety of results by tweaking the parameters of the generation process. This is useful for things like generating terrain in video games and millions of different characters. Creating procedurally-generated music or generating realistic-sounding dialogue is also very useful.

Another advantage of procedural content is that it can be created in large quantities quickly. This is useful for things like generating terrain in video games or generating realistic-sounding dialogue. This can save time, resources and effort. However procedural systems can take a long time to create. However the ability to create an infinite variety of results and it is useful for many applications. It's worth considering if you're looking for a way to quickly generate large quantities of high-quality content.

REPLIKANT - The Future of Movie Making?

Making a movie is a complex process that requires the collaboration of many talented individuals. From development to special effects to production design, each element plays an important role in bringing a film to life. In this blog post, we'll take a behind-the-scenes look at the special effects and production design of the upcoming sci-fi film Darkstar.Before starting on a feature-length film, it's common practice to first create a short film that acts as a test. This allows the team to experiment with different ideas and techniques, and to fine-tune their approach before committing to the full-length production. Darkstar was no exception, the team began with a short film that served as a test before they started on the feature. For the short film, everything was created in real-time 3D using Replikant, a content creation tool built on top of the Unreal Engine. This allowed the team to quickly iterate and make changes in real-time, giving them the flexibility to experiment with different ideas and techniques.The development process of Darkstar began with an idea to create a new take on the sci-fi genre that would subvert expectations and challenge conventions. Once the core concept was in place, the team began fleshing out the details of the story, the characters, and the world they would inhabit.
Read More

DNABLOCK - The Future of Movie Making?

Making a movie is a complex process that requires the collaboration of many talented individuals. From development to special effects to production design, each element plays an important role in bringing a film to life. In this blog post, we'll take a behind-the-scenes look at the special effects and production design of the upcoming sci-fi film Darkstar.

Before starting on a feature-length film, it's common practice to first create a short film that acts as a test. This allows the team to experiment with different ideas and techniques, and to fine-tune their approach before committing to the full-length production. Darkstar was no exception, the team began with a short film that served as a test before they started on the feature. For the short film, everything was created in real-time 3D using Replikant, a content creation tool built on top of the Unreal Engine. This allowed the team to quickly iterate and make changes in real-time, giving them the flexibility to experiment with different ideas and techniques.

The development process of Darkstar began with an idea to create a new take on the sci-fi genre that would subvert expectations and challenge conventions. Once the core concept was in place, the team began fleshing out the details of the story, the characters, and the world they would inhabit.

NFTs: The Future of Fandom?

Animation has been a staple in filmmaking for many years now. Its appeal lies in its ability to transport audiences to new and fantastical worlds that could never exist in reality. However, the animation process has always been atime-consuming and costly one—until now. Thanks to advances in technology, filmmakers can now create high-quality animations in real-time, and the possibilities are endless. Here's a look at how realtime animation is changing filmmaking for the betterlong before our present fascination with all things virtual production.
Read More

NFTs: The Future of Fandom?

Animation has been a staple in filmmaking for many years now. Its appeal lies in its ability to transport audiences to new and fantastical worlds that could never exist in reality. However, the animation process has always been atime-consuming and costly one—until now. Thanks to advances in technology, filmmakers can now create high-quality animations in real-time, and the possibilities are endless. Here's a look at how realtime animation is changing filmmaking for the betterlong before our present fascination with all things virtual production.

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